Chapters
Chapter 1: Who Is Briana Worthington?
Briana shifted gears and pressed harder on the gas. Her jeep shot forward through the underbrush that had grown since the last time she'd made this trek.
"Don't go out there in that old thing," her mother always said. "It isn't an off-road vehicle!"
...well, technically this was a road. And Briana was in no mood to care.
The clouds that had started to gather after the funeral finally lived up to their promise and broke open, dumping sheets of water that poured relentlessly over her windshield and turned the dirt road to mud beneath her tires. She could see her father's cabin through the bare trees whose leaves had fallen under the onslaught of October rain; the porch light cast a small circle of welcoming yellow light. She must have forgotten to turn it off when she'd left.
Her tires screeched as she hit the brakes and cut the engine abruptly, coming to a halt in front of the little four-room house. Rain drummed on the roof as she stared at it.
The emptiness of the moment was almost too much to handle. She couldn't lie to herself; she knew she had been half-expecting her dad to be waiting in the door, huddled away from the rain with a hoodie, smiling his great big "There's my girl" smile that made his eyes crinkle up in the corners, ready to unpack her bags from the back...
The wheel protested its treatment with a plastic-y creak and she let it go before she broke something in her hand. Popping the door open and jumping out, she slammed it quite a bit harder than she had originally intended and dashed from the cover of her car to the front door of the cabin.
Here, at least, one thing hadn't changed. As the door opened readily beneath her hand, she braced herself for the enthusiastic tackle-greetings of two Newfoundlands who had never quite grasped the fact that they were heavier than she was.
"Ooof!"
She hadn't braced well enough, Briana realized hazily, and now she was down and down hard, her lungs momentarily frozen in shock. "Yes," she assured the two eager doggy faces in front of her when she had enough air to talk again, "I love you too, now get off."
Shoving occupied the next several moments until Bear and Coop backed off and sat down a few feet away, the picture of canine innocence. For the first time in days, Briana laughed. She had to—they had the stupidest, silliest faces she'd ever seen, a cross between "Huh?" and "We didn't do it," and she couldn't help it any longer. She had to laugh, or she would... or she was going to...
The sobs started to come before she could get a hold of herself. Laughter turned to tears in an instant, and she grabbed onto Bear before she lost control completely.
"I'm sorry, I'm sorry," she whispered into his fur. He, sweet wonderful dog that he was, just rested his great head gently in her lap and let her cry brokenly against him. Coop whined and looked on, his tail thumping several abortive wags against the floor, as if he were trying to cheer her up.
It was hard to look up again, because the boxes gave silent testament. Her aunts and uncle had been here before, but they hadn't brought anything away with them."Take what you want. We'll take the rest."
Briana sighed heavily into Bear's shoulder, wiped the remnants of her tears away, and pulled the nearest box over to her. It was a box of old sports stuff: trophies, medals, a baseball glove or two, and down at the bottom, her dad's collection of baseball cards. She grabbed an empty box from the kitchen and marked it for Henry, then put the cards inside. Her little cousin would go absolutely nuts over them.
She was halfway through sorting through his old clothes, deciding which ones to give away and which she'd like to keep, when her phone rang. Folding the U Mass sweatshirt carefully and putting it in the pile of things she was going to keep, she let the song reach the third or fourth line before she flipped the phone open and put it up to her ear. "Hello?"
"Briana Reinette King, what in the hell do you think you're doing?"
Deciding that answering the question as it had been asked would probably get her into worse trouble than she was already in, Briana shifted the phone to her other ear and went back to folding. "Hi, Mom."
Renee Worthington was in no mood for idle chitchat. "Where are you?"
Again, "Where do you think?" was probably not the best way to answer. "I'm fine, Mom," Briana answered instead. "I'm at Dad's cabin."
"That's ridiculous, it's absolutely pouring outside. Come back to the hotel this instant."
Briana let silence crackle over the line for a long moment. "You called to yell at me for driving to Dad's house in the rain," she said slowly, "and now you want me to drive back through the rain."
"Don't twist my words, young lady," Renee snapped. "That's not what I meant."
"Then say what you mean!" Coop looked up at the sound of Briana's voice rising. "Why don't you ever say what you mean?" She didn't give her mother time to answer. "You're not upset that I drove in the storm, you're upset that I'm at Dad's."
"Briana—"
Her tears made a reappearance, but this time they were tears of anger, scalding hot and somehow cleansing. "He's dead," she yelled, her voice breaking on the second word. "He's dead, and you don't care. He was your ex-husband, the father of one of your children, and you didn't even cry at his funeral."
"Now listen—"
"No, you listen!" Briana was through listening to her mother try to explain herself. "For once in my life, listen to what I'm saying. I'll come back tomorrow but tonight...leave me alone!"
She slammed the phone shut, stared for an instant at its front screen with the call time blinking, then screamed and hurled it with all her might at the mantelpiece across the room. It hit a framed photograph and a candle-holder in its flight and knocked them both to the ground.
Only my mother could pack that much irritation into a one-minute call...
Then she saw it, lying on the mantel where it must have been all the time, hidden until the picture fell. From her phone's speaker came the quasi-romantic crooning of Sting, but Briana ignored the sound in favor of staring at the plain white envelope. It was labeled with one word in heart-wrenchingly familiar handwriting.
Briana
She didn't remember walking over to the fireplace. She must have walked, there was no way she had suddenly gained the ability to teleport, but she didn't remember the journey. She'd been across the room, and now she was here, lifting the envelope in her hands, sliding a finger under the flap...
Her knees made two small thumps as they hit the wood floor. It hurt a little, but she barely noticed. Her heart and mind were completely focused on the page filled partway through with her father's bold letters.
Princess,
Her hands shook as she traced the familiar nickname with her index finger.
I don't know why you're reading this letter. Honestly, I don't. Every year I sit down at my desk and write a new letter to you. Firefighting is a dangerous job—too dangerous—and I have never been able to stand the thought of my last words to you being out of date.
Boring stuff first: everything I own is yours, princess. The cabin and everything inside it, whatever part of the lake rests on my property, the dogs (hiya boys), everything. Do what you want with the house—sell it, keep it, turn it into a strip club (okay, please don't do that last one, your mother would have a coronary.)
Briana put the letter down gently and buried her face in her arms to smother her laughter. Her father's sense of humor was perverse, but wonderful, and it never failed to make her absolutely crack up. She picked the letter back up and smiled again at the evidence of how well he knew her.
Got the laugh out of the way? Good. My Harley is out back. I'd prefer that you kept that and used it as your mode of transportation, if only to see the look on your mother's face when you ride up on it. If not, then give it to your Uncle Edward, he'll take good care of it.
As she opened the second fold of the letter, something slipped out and fell with a clink to the floor. It spun twice, then promptly rolled under the couch. Briana dropped to the floor and peered underneath, spotting the thing by its glitter in the dim light. The moment she picked it up, she knew what it was by the way it fit her hand.
A coin.
It was a little bigger than a half dollar, made of some kind of copper-bronze alloy, with a small hole in the top as though it had been worn as a pendant. It was also very old. Most of its markings had been worn down by time so that they were barely distinguishable, but she could see words on either side. This didn't help her much, since they weren't in English—or at least, not any English she had ever seen. She traced the words with her fingernail, flipping the coin over once or twice. Insum on one side. Exsum on the other.
The momentarily forgotten letter in her hand made a rustling noise as she lifted the coin into the light to examine it further. Tucking the coin into her pocket for later, she turned to finish reading.
I love you, sweetheart. I say it every time I see you, and every time we hang up, and I'll keep saying it every day for the rest of my existence. And because I love you so much, here is the last piece of advice I'm going to give you.
Belong to your life. Understand the difference between breathing and living and ride life to its fullest. Own your soul. When it comes to making decisions, forget your mother, your step-father, your friends, forget even me and follow your heart.
The last little bit of myself I can give you is probably in your hand right now. That coin is very old and very, very special, Princess. It was your great-grandfather's originally. He gave it to your grandmother, she gave it to me, and now I'm giving it to you. If you go in the attic, there's probably still the chain she used to wear it on in her old jewelry box. It's yours now. Keep it safe, and always close to your heart.
Live long and proud, and know I will always love you.
Dad
Briana folded the letter and pressed a kiss to the paper, then got up and searched out the boxes her uncle had brought down from the attic. Sure enough, a thin gold chain made up of tiny links was inside the old jewelry box, right next to a signet ring bearing a large and ornate K. Briana threaded the chain through the hole, through which it fit perfectly, and slid it over her head. After studying the coin for a long moment, she tucked it inside her shirt, where it settled comfortably between her breasts as though it had always been there.
Time for good little princesses to be in bed...
Briana wiped away one last tear at the thought of her father's favorite goodnight to her and went into his bedroom. Bear and Coop followed her in and waited until she had curled up in the bed before jumping up and making a queen-size bed a very tight squeeze indeed. Briana grinned and stroked their large, furry heads. "Good boys," she said. "Sleep well."
She reached over to flick off the light, cuddled down into the old shirt of her father's that she was wearing as a nightgown, and for the first time in days slipped into complete, sanity-restoring rest.
Briana dreamed strange dreams that night.
Usually her dreams were short and choppy, filled with recognizable people and places, snapping swiftly from one humorously improbable situation to another. But these dreams slid from one to another fluidly, with no break points. They were confusing at best, disturbing at worst, full of men in blue and black uniforms shouting at her, asking her name, calling out to her, "Your name is Briana Worthington?"
"No!" she protested. "No, that's not me!"
"Your name is Briana Worthington?"
"That's not me! You've got the wrong person!"
"Your name is Briana Worthington?"
"Let go of me!"
And she remembered fighting back against restraining hands, flailing, trying to make sense, ripping the arm of her shirt in her haste to break away.
"Your name is Briana Worthington?"
"King! My name is Briana King! Now leave me alone!"
She remembered lashing out, catching one in the nose. He fell away from her, clutching at his face in surprise, and suddenly she was falling as well, falling away and down, falling and falling and...
...waking up.
With a torn sleeve, and with blood on her hands.
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A very good start
Dancingkatz — July 25, 2010 - 8:03amI like the premise and would be interested in reading more. That said, I have the following comments which you are free to ignore (after all, this is only the first chapter and later on it's very likely that some of what I say may be made moot by what you tell us in later chapters).
I liked the insert of Biana's mother's comment about the Jeep (Jeep is a proper noun and should be capitalized, by the way, even though it gets used generically), you can tell a lot about her character in that one sentence and some of how Briana feels about her. That said, your two opening sentences (Briana shifted gears and pressed harder on the gas. Her jeep shot forward through the underbrush that had grown since the last time she'd made this trek.) felt kind of flat rather than grabbing at me. If I was coming to this story without knowing anything about Anne's other writings (I will read anything Anne writes as a matter of course, having been introduced to her by reading her Dangerverse stories three years ago) I might have debated about continuing on. However, you were saved by that insert of Briana's mother's voice. I think you might solve this by combining the two sentences into one (Briana shifted gears and pressed harder on the gas, the Jeep pushing past the underbrush that had encroached on the narrow lane since the last time anyone had come this way.).
I did find the timing to be confusing in regards to how much time actually passed between Brian's Dad's passing, the time of the funeral, the time of her aunts and uncles packing everything up and her arrival at the cabin. The description of the underbrush overgrowing the road seems to indicate that some weeks if not months, have gone by since anyone was at the cabin. I seem to get the idea that this is the only way to get to the cabin (I know it wasn't mentioned specifically, but it's the feeling I get from the intimation that the cabin is out in the wilderness). But it also seems from later paragraphs that her Dad's funeral wasn't that long ago, even possibly as recent as the past morning. If her aunts and uncle had come up to the cabin to pack things up (and I assume, to take care of the dogs as two Newfoundlands need to be regularly fed and watered) then there should be some sign of their vehicle(s) using the road. If enough time has passed to allow underbrush to grow up enough to hide the previous passage of vehicles then the dogs would have been out of food and water and there would have been dust and debris on everything (having cleaned up a cabin or two after a window was left open for a even a week, I'm more than familiar with the amount of dirt and stuff that accumulates from an open door or window). I know this sounds nit-picky but I actually stopped reading when I reached the mention of the aunts and uncle to go back to the beginning to double check the clues to how much time had passed. Not every reader will have the same response I did but I figured that if I reacted that way, other readers might, too.
You mention that Briana noticed the porch light was on and that she assumed that she had left it on the last time she was at the cabin. You also mention that she noticed the boxes and attributed them to the recent presence of her aunts and uncle. Mightn't her relatives have left the porch light on as well as a lamp or two inside the cabin? If she's noticing the porch light being on, wouldn't she notice the presence of tire tracks in the grass in front of the cabin as well?
I would like to suggest a minor wording change to the paragraph mentioning the boxes. Rather than say Her aunts and uncle had been here before, but they hadn't brought anything away with them I think the sentence Her aunts and uncle had been here the day before, but they hadn't taken anything away with them would solve a question of timing and moves the action so we are seeing it from Briana's perspective. In my experience, the use of the words "brought away" intimates that the action of removing something is being thought of or observed by the person removing the item in question, while "taken away" intimates more that the action of being thought of or observed by a third party.
And speaking of roads and driveways, is the area in front of the cabin paved in any way (gravel, macadam, etc.)? If she's screeching to a halt, that seems to indicate a solid hard surface of some sort. Screeching to a halt indicates that she slammed on the brakes--not a smart thing to do on wet pavement. If the access road is compressed gravel it would make sense that it would debauch into a turn-around or something, rather than just a field of grass and mud (which would show tire tracks at the very least). Arriving and braking hard on gravel wouldn't make a screeching sound but she could hear he clatter of the wet gravel flying. Perhaps if you changed the description of her arrival to indicate the cessation of the sound of the engine so all she heard was the rain falling on the cab of the Jeep rather than the sound of the wheels on whatever surface, it would make the question moot. The sound of rain hitting a roof in an otherwise silent place is very lonely and sad and would echo her internal feelings nicely.
Getting away from world-building/descriptive issues, I really like how you depict Briana's frustration with her mother and her grief over losing her Dad. It's realistic and not over the top. I especially liked how she lost it with her mother.
I take it that the door to the cabin was left unlocked because of the dogs? Who's been feeding and watering them BTW? I sort of get the feeling that this is the first time that Briana has been to the cabin since her father's death. Is that right? Or has she been coming up to take care of the dogs? If this is her first time there, then I wonder if she would have thought the dogs had been taken away to another relative's house for the time being and then been surprised that they were there at the cabin. It is usually three or four days between someone passing away and the funeral and I seriously doubt they would have been forgotten about. Did an aunt or uncle call her to tell her they were going up to the cabin to pack things up and to to take care of the dogs until she could get there? Or is the "Take what you want. We'll take the rest." a note? Was this trip to the cabin planned or a spur of the moment decision after the funeral?
Other questions: Where did Briana put the letter after she folded it up and kissed it? Is it in her pocket? Did she put it back were she found it?
Now that I'm done being nit-picky (sorry, but these sort of things can really knock me out of my suspension of disbelief) I've got some compliments. First of all, Briana sounds very real. She's not a pretty china doll, she's not perfect and she thinks and feels the way a real person would. Shes definitely not a Mary-Sue or self-insert. I love it that you've left it to us to imagine her specific appearance rather than give us a laundry list of attributes since there's no one there but her and there aren't any other eyes we can see her through. I have always hated stories that go into a twenty sentence expostion about the appearance of a character instead of letting me figure it out as the story goes along. The image of Briana sleeping between Coop and Bear is still in front of my mind's eye as I am typing.
The letter from her Dad and her emotional response to it was wonderfully written--very real and the combination of laughter and tears... well, I needed a tissue or two.
The dream sequence (I don't know what else to call it right now) was well done. The repetitiveness of "Your name is Briana Worthington?" was creepy and frightening. I was growing more and more frantic right along with Briana.
The ending was perfect. You stopped at exactly the right point. I can feel her shock and surprise and growing fear as she stares at her hands and sleeve. The hint of "Oh, thank God, it was just a nightmare!" and then the stark reality of With a torn sleeve, and with blood on her hands. grabbed me by the throat and wouldn't let go. I was looking for a link to click on so I could read the next chapter.
Goodness! I bet you;ll never want to see another review by me ever again! This is longer than your chapter. Please don't consider this flaming. I honestly love the story so far and hope that you take my comments in the spirit in which they are meant. I write myself and personally prefer a truly critical (in the English literature class sense of the word) review to dozens of Squeeeee! U R such a GR* wrtr! "reviews". Good luck with this endeavour and I hope to see it continue sometime.
Very truly yours,
Dancingkatz
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Very Nice!
Emeralds — March 10, 2010 - 5:13amInteresting story (is it going to be similar to another story by the same title that I know?) - looking forward to reading more.
Em
Very sound advice
Kat (not verified) — December 30, 2009 - 10:53amI'm interested on what happens next... hmmmm :P
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Very nice
sqdancerkh — August 2, 2009 - 1:46pmVery nice and interesting. I can't wait to see what happens!
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LupineMoon (not verified) — June 22, 2009 - 8:24amI really enjoyed this. Is this somewhat based on our version of BC?
A bittersweet beginning. Can't wait for more.
Nice first chapter! It sounds
Flormarina — June 8, 2009 - 2:57amNice first chapter! It sounds very interesting and I'm definitely looking forward to the twists and turns that I know this story will make. Amaing job and keep at it. It's fantastic.
Taina
Very cool so far, an
Kiana (not verified) — June 7, 2009 - 1:09amVery cool so far, an interesting take on a fanfiction story thats worked so well
Name defines form much?
GrimSqueakerName defines form much? :P
But this looks to have some interesting twists on it... some very fun ones, too. I wonder where we go from here.